Firstly I was
stunned by the size of the collection, 1.75 million objects, did I hear that
right? It brings home the volume of items that we are all working with and why efficient
approaches are required!
Mark spoke
about the different digital platforms that provide collections information,
which all stem from the Collection Management System, such as the online Collection
Search and interactives within the display space.
To explore
the narrative based structure that Bristol use I delved into the Fine Art
collection online and was presented with two narratives: 'Places of Desire' or
'Reality Questioned'. http://museums.bristol.gov.uk/narratives.php?irn=8765
Both tempting, I opted for 'Reality Questioned' which provided me with some interesting
exhibition text followed by individual images to click on which contained
object information and a gallery label. I really like this after-life of exhibition
text and labels as so much time goes into exhibitions and interpretation, to
achieve something permanent from them seems a great idea both for institutions
and visitors. Another feature that I like is the current location information about
the item.
Mark spoke
about some of the challenges of the one size fits all approach, such as a
notebook that would benefit from a digital page turning rather than a
succession of thumb nails. There are also currently no loans online. The next
steps in the project are making sure that google is optimised and that social
media can be used to share object information.
Where I work
at National Museums Scotland, the team are working to get more of the circa
12.4 million items online. This started in 2011 when items in newly opened
galleries were put online. We are currently up to 32,200 online records with
this number being refreshed on a monthly basis. The 'create once' model has
been used in our Photography: A Victorian
Sensation exhibition http://www.nms.ac.uk/national-museum-of-scotland/whats-on/photography-a-victorian-sensation/
which contains images within gallery interactives, on the online catalogue and
in our first ever Massive Open Online Course (MOOC) https://www.coursera.org/course/vicphoto
1/6
plate heavily tinted ambrotype, depicting a seated man, in a Union case with
eight-sided decorated geometric design, unsigned, late 1850s - 1860s
From the Howarth-Loomes Collection at National
Museums Scotland
Image © National Museums Scotland
I think the
use of social media and digital is extremely exciting but more importantly vital
to keep our collections and institutions ever present. The do once, use again
approach is one I'll be trying to apply to other areas of my work wherever I
can as the quiet moment hasn't arrived yet!
Katie Robson,
Assistant Registrar, National Museums Scotland
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