Can we cut it? Manchester Museums Partnership’s Response to
the Climate Emergency.
Phillippa Milner, Senior
Gallery Registrar, Manchester Art Gallery and Gillian Smithson, Registrar, The
Whitworth & Manchester Museum, The University of Manchester
Friday 7th
February 2020 National Army Museum
Manchester City Council has
committed to reduce the carbon footprint of the city to zero, twelve years
ahead of the UK government’s target. In this session, Phillippa Milner and
Gillian Smithson explored Manchester Museums Partnership’s initial response to
this challenge.
The key is to change the
way we think, but is it possible to move away from our current focus on
consumption, growth and finance based economy? Can we do this whilst also
fulfilling our purpose of sharing collections? Phillippa and Gillian did not
pretend to have the answers to these difficult, complex questions, but by
sharing examples of the work they have been doing, they were able to offer
inspiration and encouragement.
It has been calculated that
in Manchester, museums and heritage contribute less than 1% towards the overall
carbon footprint of the city, so it could be very easy to think ‘why bother?’.
However, there is a strong argument that museums are ideally placed to share
knowledge and show that change is possible.
Declaring a climate
emergency in 2019 is just one of the steps Manchester Museums Partnerships have
taken over the past decade. In 2014, each member of staff received a full day
of training on climate change, carbon footprints and how everyone can do their
bit. This work with the Carbon Literacy Project contributed to them being the
world’s first Carbon Literate Museum. Their public programming reflects this
focus on creating a sustainable world with exhibitions such as ‘Climate
Control’ and ‘Extinction or Survival’.
They have also started trying
to accurately assess the carbon impact of their exhibitions. This involves
considering the length of the exhibition, the location of lenders and couriers,
as well as more material aspects such as packaging and recycling. As this
requires accurate, comprehensive data that has not necessarily been recorded
and there is not yet a standardised method for calculating the carbon
footprint, this is currently a long process.
In the meantime, they are
moving towards having longer-term exhibitions, fewer overall changes to
displays and making more use of their own collection. As part of this, their
programming team has been working with local climate-focused groups and organisations.
Other initiatives include relaxing environmental conditions for loans out,
increasing the use of consolidated transport and significantly reducing the
number of couriers by analysing the need to send one, providing better
instructions and sharing couriers with other museums. They are now also
considering whether the carbon cost of a potential loan should be included in
the approval process and whether this would affect their decision.
Whilst acknowledging it is
only the start of their carbon-cutting journey and it is a work in progress,
through collaboration, research and the sharing of ideas, Gillian and Phillippa
are hopeful Manchester Museums Partnership can inspire all registrars to
respond to the climate emergency.
Rebecca
Drummond, Assistant Registrar, National Museums Scotland
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